A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.
"The Tonys" is the thirty-second episode of the American television series, Smash. It was written by Smash's show-runner and head writer, Joshua Safran, and directed by Michael Morris. The episode premiered on NBC, on May 26, 2013, the 17th episode of Season 2. It was the second part of a two-part series finale.
"The Tonys" is the thirty-second episode of the American television series, Smash. It was written by Smash's show-runner and head writer, Joshua Safran, and directed by Michael Morris. The episode premiered on NBC, on May 26, 2013, the 17th episode of Season 2. It was the second part of a two-part series finale.
"The Nominations" is the thirty first episode of the American television series Smash. It was written by Bryan Goluboff and directed by Michael Morris. The episode premiered on NBC on May 26, 2013, the sixteenth episode of Season 2. It was the first part of a two-part series finale.
"The Nominations" is the thirty first episode of the American television series Smash. It was written by Bryan Goluboff and directed by Michael Morris. The episode premiered on NBC on May 26, 2013, the sixteenth episode of Season 2. It was the first part of a two-part series finale.
"The Transfer" is the thirtieth episode of the American television series Smash. It was written by Justin Brenneman & Julia Brownell and directed by Holly Dale. The episode premiered on NBC on May 11, 2013, the fifteenth episode of Season 2.
"The Transfer" is the thirtieth episode of the American television series Smash. It was written by Justin Brenneman & Julia Brownell and directed by Holly Dale. The episode premiered on NBC on May 11, 2013, the fifteenth episode of Season 2.
"The Phenomenon" is the twenty ninth episode of the American television series Smash. It was written by Jordon Nardino and executive producer and showrunner Joshua Safran and directed by Roxann Dawson. The episode premiered on NBC on May 4, 2013, the fourteenth episode of Season 2.
"The Phenomenon" is the twenty ninth episode of the American television series Smash. It was written by Jordon Nardino and executive producer and showrunner Joshua Safran and directed by Roxann Dawson. The episode premiered on NBC on May 4, 2013, the fourteenth episode of Season 2.
"The Producers" is the twenty eighth episode of the American television series Smash. It was written by Becky Mode and directed by Tricia Brock. The episode premiered on NBC on April 27, 2013, the thirteenth episode of Season 2. An off-the-rail Jimmy threatens Hit List's future, as Karen, Derek, Ana and Kyle join forces to try help him before things take a turn for the worse. Tom and Julia's partnership is at breaking point just as Ivy, Eileen, and the entire Bombshell team are running themselves ragged to outshine their competitors.
"The Producers" is the twenty eighth episode of the American television series Smash. It was written by Becky Mode and directed by Tricia Brock. The episode premiered on NBC on April 27, 2013, the thirteenth episode of Season 2. An off-the-rail Jimmy threatens Hit List's future, as Karen, Derek, Ana and Kyle join forces to try help him before things take a turn for the worse. Tom and Julia's partnership is at breaking point just as Ivy, Eileen, and the entire Bombshell team are running themselves ragged to outshine their competitors.
It's "Bombshell's" opening night. As Ivy's nerves get the better of her, support comes from an unlikely source. Meanwhile, Tom and Julia look to their next project. "Bombshell's" success may be in jeopardy as Eileen's issues with Richard come to a head. Jimmy finally opens up to Karen about his past, but is it too little too late?
It's "Bombshell's" opening night. As Ivy's nerves get the better of her, support comes from an unlikely source. Meanwhile, Tom and Julia look to their next project. "Bombshell's" success may be in jeopardy as Eileen's issues with Richard come to a head. Jimmy finally opens up to Karen about his past, but is it too little too late?
As Tom and Julia race to ready "Bombshell" for previews, Tom's eagerness to prove himself may not be the best thing for the show. An on-stage mishap forces Ivy to make an important decision, while tension rises at "Hit List" as Karen becomes suspicious of Derek's motives towards her.
As Tom and Julia race to ready "Bombshell" for previews, Tom's eagerness to prove himself may not be the best thing for the show. An on-stage mishap forces Ivy to make an important decision, while tension rises at "Hit List" as Karen becomes suspicious of Derek's motives towards her.
With Liza Minnelli in town, Tom plans a surprise for Ivy in an attempt to find a balance between their work life and their friendship. Relations between Karen, Jimmy, and Derek explode just as Hit List's rehearsal process nears its close. While Richard asks Eileen to spend less time at work and more time with him, Julia finds herself also pulled away from Bombshell by an unlikely source.
With Liza Minnelli in town, Tom plans a surprise for Ivy in an attempt to find a balance between their work life and their friendship. Relations between Karen, Jimmy, and Derek explode just as Hit List's rehearsal process nears its close. While Richard asks Eileen to spend less time at work and more time with him, Julia finds herself also pulled away from Bombshell by an unlikely source.
After Leigh Conroy joins the cast of "Bombshell," Tom finds himself struggling to diffuse the years of tension between her and Ivy. Jimmy and Karen's connection is threatened by both Ana's newfound success and an unexpected visitor. Derek learns more about Jimmy's past just as the public sees their first piece of "Hit List."
After Leigh Conroy joins the cast of "Bombshell," Tom finds himself struggling to diffuse the years of tension between her and Ivy. Jimmy and Karen's connection is threatened by both Ana's newfound success and an unexpected visitor. Derek learns more about Jimmy's past just as the public sees their first piece of "Hit List."
When Ivy brings Sam back to town, Tom finds himself in an awkward situation. Jimmy and Derek clash over their vision for "Hit List," while both Ana and Karen struggle to stand up for what they want.
When Ivy brings Sam back to town, Tom finds himself in an awkward situation. Jimmy and Derek clash over their vision for "Hit List," while both Ana and Karen struggle to stand up for what they want.
New circumstances give rise to conflicts as Karen, Tom, Julia and Derek adjust to their new surroundings. Tensions at "Liaisons" are also coming to a boil, ensuring that the show will find its place in Broadway history. Meanwhile, Eileen may have found the key to saving "Bombshell" with the help of her daughter, Katie.
New circumstances give rise to conflicts as Karen, Tom, Julia and Derek adjust to their new surroundings. Tensions at "Liaisons" are also coming to a boil, ensuring that the show will find its place in Broadway history. Meanwhile, Eileen may have found the key to saving "Bombshell" with the help of her daughter, Katie.
Derek and Karen reach a turning point, so one of them makes a tough decision. Meanwhile, problems emerge in Jerry and Eileen's partnership; complications arise at the "Hit List" debut at the Fringe Festival; and Ivy attempts to save her and Terry's show.
Derek and Karen reach a turning point, so one of them makes a tough decision. Meanwhile, problems emerge in Jerry and Eileen's partnership; complications arise at the "Hit List" debut at the Fringe Festival; and Ivy attempts to save her and Terry's show.
Julia's fears increase when Tom airs his suspicions of Peter. Jimmy and Kyle confront their own crisis of confidence as "Hit List" is read for the first time. Meanwhile, Ivy realizes her triumph might not be all she hoped when she meets her new co-star, Terry Falls, and Karen wonders if she can trust Jimmy.
Julia's fears increase when Tom airs his suspicions of Peter. Jimmy and Kyle confront their own crisis of confidence as "Hit List" is read for the first time. Meanwhile, Ivy realizes her triumph might not be all she hoped when she meets her new co-star, Terry Falls, and Karen wonders if she can trust Jimmy.
Derek calls in help for a special event, but Jimmy's pride might get in the way of a huge opportunity Karen orchestrates for him and Kyle. Peter challenges Julia's pride as they continue to work together. Meanwhile, Ronnie struggles to assert her independence from a powerful mother, as Eileen finds herself at a moral crossroads with huge ramifications for "Bombshell."
Derek calls in help for a special event, but Jimmy's pride might get in the way of a huge opportunity Karen orchestrates for him and Kyle. Peter challenges Julia's pride as they continue to work together. Meanwhile, Ronnie struggles to assert her independence from a powerful mother, as Eileen finds herself at a moral crossroads with huge ramifications for "Bombshell."
"The Dramaturg" is the eighteenth episode of the American television series Smash. It was written by Bryan Goluboff and directed by Larry Shaw. The episode premiered on NBC on February 19, 2013, the third episode of Season 2. Eileen introduces Tom and Julia to a new writing partner in order to fix Bombshell's script; Karen confers with Derek about Jimmy and Kyle's musical that they are working on; Derek tries to get reinstated as the director for "The Wiz" remake with Veronica Moore.
"The Dramaturg" is the eighteenth episode of the American television series Smash. It was written by Bryan Goluboff and directed by Larry Shaw. The episode premiered on NBC on February 19, 2013, the third episode of Season 2. Eileen introduces Tom and Julia to a new writing partner in order to fix Bombshell's script; Karen confers with Derek about Jimmy and Kyle's musical that they are working on; Derek tries to get reinstated as the director for "The Wiz" remake with Veronica Moore.
"The Fallout" is the seventeenth episode of the American television series Smash. It was written by Julie Rottenberg and Elisa Zuritsky and directed by Craig Zisk. The episode premiered on NBC on February 5, 2013, the second half of the season two two-hour premiere.
"The Fallout" is the seventeenth episode of the American television series Smash. It was written by Julie Rottenberg and Elisa Zuritsky and directed by Craig Zisk. The episode premiered on NBC on February 5, 2013, the second half of the season two two-hour premiere.
Back from a successful run in Boston, Eileen, Julia and Tom are blindsided by both personal and professional obstacles as they seek to take "Bombshell" to Broadway. Karen consults her new mentor, Broadway star Veronica "Ronnie" Moore, as she finds herself on the brink of fame, but her success may come at cost to Ivy. A new talent is discovered in an unexpected place. Meanwhile, Derek copes with a damaging accusation.
Back from a successful run in Boston, Eileen, Julia and Tom are blindsided by both personal and professional obstacles as they seek to take "Bombshell" to Broadway. Karen consults her new mentor, Broadway star Veronica "Ronnie" Moore, as she finds herself on the brink of fame, but her success may come at cost to Ivy. A new talent is discovered in an unexpected place. Meanwhile, Derek copes with a damaging accusation.
A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.
Jack Davenport ,Megan Hilty ,Katharine McPhee
Kenneth Ferrone
DreamWorks Television , Universal Television
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