In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
Renée Fleming , Elina Garanca , Günther Groissböck
Brigitte Reiffenstuel
Royal Opera House , The Metropolitan Opera
