On the outskirts of the “Portas de Ródão”, an exceptional natural monument in Portugal, a paper factory can no longer cope with its condition. She wants to blend into the landscape, she wants to disappear. Through the sensitive eyes of a “disproportionate pile of gears” the film questions the notion of romantic landscape and questions the human impact on what we consider to be part of nature.
On the outskirts of the “Portas de Ródão”, an exceptional natural monument in Portugal, a paper factory can no longer cope with its condition. She wants to blend into the landscape, she wants to disappear. Through the sensitive eyes of a “disproportionate pile of gears” the film questions the notion of romantic landscape and questions the human impact on what we consider to be part of nature.
Noa Epars
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