Only using real or fictional found footage, the visual essay draws a portrait of a woman who, during the Salazar dictatorship, worked under pseudonyms in the Portuguese vaudeville theatre and in erotic horror films intended for export, until she married a famous football player.
Only using real or fictional found footage, the visual essay draws a portrait of a woman who, during the Salazar dictatorship, worked under pseudonyms in the Portuguese vaudeville theatre and in erotic horror films intended for export, until she married a famous football player.
Carlos Alberto Carrilho
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