In Elizabeth Junor, Ashanti Harris expertly maps a kind of settlement, recounting the life of the Guyana-born daughter of a Scottish carpenter and timber estate shareholder from the Black Isle – deploying voiceover, superimposition, frames within frames and onscreen text to highlight the modes of narration by which a life is catalogued.
In Elizabeth Junor, Ashanti Harris expertly maps a kind of settlement, recounting the life of the Guyana-born daughter of a Scottish carpenter and timber estate shareholder from the Black Isle – deploying voiceover, superimposition, frames within frames and onscreen text to highlight the modes of narration by which a life is catalogued.
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